Mogadishu (Dawan Africa) – A powerful painting by Somali artist Aden Afey has emerged as a tribute to the Ma'awisley local fighters, a vital part of Somalia's ongoing battle against Al-Shabaab. The artist, known for his creative expressions on national issues, has created a stunning piece that speaks to the resilience, unity, and dedication of the Somali people in defending their homeland.
Afey's painting features two tigers as soldiers, a symbolic representation of the military’s role in national defense. One tiger wears traditional Somali attire, the Ma'awis, while the other is clad in military garb, showcasing the merging of Somali tradition and modern military forces. This dual representation signifies the important contribution of the Ma'awisley fighters, who are primarily local militia, alongside the national army. The Ma'awis, a traditional Somali garment, now takes on new significance as it is worn by the tiger in the emblem, symbolizing how the Ma'awisley forces embody both cultural pride and military resolve.
Somali Artist Aden Afey’s Masterpiece Honors Ma'awisley Fighters in the Battle Against Al-Shabaab
Afey’s view of the Ma'awisley forces is clear: “Art is my way of honoring the silent heroes who fight for our nation, the Ma'awisley. They may not wear uniforms, but their courage and sacrifice deserve to be immortalized.” He emphasizes that these unsung heroes, though not officially recognized by standard military titles, stand firm in the battle to protect Somalia’s sovereignty. "The Ma'awisley represent the heart and soul of Somalia – they come from humble backgrounds, but their bravery stands tall. This painting is a tribute to their unspoken heroism."
The artist's choice of the tiger as a symbol conveys strength and bravery, as the Ma'awisley forces have shown immense courage in defending Somalia from the menace of Al-Shabaab. But what truly sets this artwork apart is the inclusion of everyday people like the Ma'awisley, who aren't formally part of the military but answer the call to defend their country. “Through this painting, I wanted to show that Somalia's strength is not just in its army, but in its people. The Ma'awisley stand shoulder to shoulder with the Somali National Army, defending our future.”
The painting is set against the backdrop of a sunset, an emblematic symbol of resilience after a long day of fighting. The Ma'awisley fighter is depicted resting his wilisaqo game under the Cowbar tree, a notable feature of the Beledweyne region. Afey, however, plays with the symbolism here, stating that the Cowbar tree has become extinct, mirroring the decline of areas once ruled by Al-Shabaab. The Al-Shabaab flag is subtly incorporated into the scene, juxtaposed with the natural beauty of the Somali landscape, representing the ongoing struggle between peace and terror.
Afey’s work is not just a visual representation; it’s also a statement about Somali identity and unity in the face of adversity. “Between me and the Ma'awisley, there exists a sense of Somali identity and struggle,” Afey notes. “Whatever I desire to achieve, they also work towards making it happen. This is what connects us, along with the goal of establishing peace in our country.”
The use of color in the piece is equally intentional. The golden hues of the sunset evoke a sense of peace and resolution, while contrasting colors could symbolize either the struggle of the day or the serenity of nightfall, depending on the viewer's interpretation. Afey insists that the colors must be respected, especially when depicting the national emblem, which should never be altered. “The tiger in my painting is not just a symbol of strength; it is a reflection of the Ma'awisley's power – one who fights for peace, for their country, and for the generations to come.”
This work goes beyond art; it’s a cultural commentary, a reminder of the Ma'awisley’s role in Somalia's ongoing fight for peace and stability. Afey's intention is clear: to immortalize the Ma'awisley fighters as national heroes who stand shoulder to shoulder with the Somali National Army. “When we speak of national defense, we often forget the unsung warriors who don't wear a salary but carry the weight of Somalia's future. The Ma'awisley are the lifeblood of this nation, and this painting tells their story.”
As the world watches, the artist calls for greater recognition and respect for those who have given their lives to protect the future of Somalia.
